Folk is a coffee table book with over 200 images that offers a comprehensive and in-depth look into the topic of what it means to be a people. We share a unique identity and an exceptional history, but we are forbidden from expressing pride in such things. As Western nations become increasingly affected by mass immigration, however, more of us are forced to recognize that we have little to gain by adopting a negative identity, and that there is actually nothing wrong with maintaining the opposite.
The book features all-original pieces by important individuals, such as Ricardo Duchesne, who provides the Foreword, Jason Köhne, Jeff Winston, Ash Donaldson, Ilenia, Jared George, Lovely Porridge, Laura Towler, Chars, Liv Heide, and John Bruce Leonard. Each has a wealth to offer on this important subject, and provides a unique perspective from their respective nations—including Canada, the United States, Italy, Australia, Belgium, the UK, and Germany—along with answers to the question about what it is that ultimately unites us.
Issue No. 3 of The White People’s Quarterly centers on the work of Dutch/Flemish artist Pieter Bruegel, whose piece The Haymaking features as the cover art. A touching article by Helen Doe on the topic of how to maintain a happy marriage serves as the centerpiece of this exceptional issue, and Doe’s personal story about how she turned her marriage around by making conscious changes and embracing her femininity is a heartening read with valuable advice all White couples will benefit from. Also featured is a brilliantly satirical piece by returning writer Hektor Troy, a mini-Candide about a backpacking trip to a modern multicultural Europe that brings needed humor to a serious and disturbing reality. Other highlights of Issue No. 3 include a phenomenal review of Jason Köhne’s seminal book Go Free, penned by K.D., and a review of Saint-Loup’s book The Boer Attacks by Dionysos Andronis, which details some of the backstory to South Africa’s past and ongoing struggle—especially insightful and relevant given the current trends in the West. Prolific English author Sean Haughton provides an excerpt from his book Guided by Ghosts, involving a dialogue between siblings that is both mysterious and instinctual, and deals with how we talk to others about the issues we face, while two additional poems by Haughton stand in stark contrast with the light nature of the former passage and reify his stylistic range.
Our favorite music correspondent, Mama P., returns again with another fantastic Q&A, this time with “Ghost Folk” musician Hiraeth, whose distinctive style continues to evolve as she becomes an increasingly important voice and public figure for White interests. The WPQ proudly welcomes back staple Jared George, whose beautiful poetry once again adorns the pages of the magazine, along with poems by J.C. Adams, Afibjorn, Anna, and the aforementioned Sean Haughton. Bringing the issue to a formidable end is Dr. Samuel Johnson’s challenging but pivotal essay Prelude to Shakespeare, with an extended prelude to the Prelude by the Editor, who further contributes short pieces on, and presents modern analyses of, the works of the Issue’s themed artist, Pieter Bruegel, such as his paintings The Tower of Babel (1563), View of the Bay of Naples (1562), and The Fall of Icarus (c. 1555-1560). A look at The White People’s Press’ currently published and forthcoming books can also be found in this expansive issue—our longest to date—as well as ads from our friends and White-Positive sponsors like the White Art Collective, KosChertified, and WhiteDate.Net.
My Mirror Tells a Story is about a white child who struggles to fit in. His family loves him, but he is confused by the hostile, anti-white environment of his school. He feels isolated and lonely. He feels alienated from his non-white classmates. And he cannot understand why his school’s curriculum focuses only on the successes of people who are not like him.
He goes to his parents for guidance, and they share with him how he is the inheritor of a great civilization. They tell him about great thinkers and inventors of the past who were white. Every time he looks in the mirror, he should see that he has many reasons to be proud-of himself, his family, and his people.
Issue No. 2 of The White People’s Quarterly features cover art by Herrmann Radwulf, who has been a consistent contributor and friend since, and designed two book covers for The White People’s Press. Leading the issue are written pieces on the genetic testing industry by an in-field specialist appropriately named Gene Tester, an extraordinary meditation on Ancient Greek mythos by Hektor Troy, a moving story that underscores the uncertainty and volatility of life by Mina Therese, a startling look into the kosher certification racket by the team at KosChertified, and a paramount, in-depth article on the Art of Artistic Critique by Jeff Winston of the White Art Collective. Other pieces include an interview by music correspondent Mama P. with the colorful and charismatic Banjo-picking phenom Jack Hwite, an exclusive WPQ Q&A with our friend and the creator of the comprehensive, 10-hour, epic documentary Apotheosis of Evil, Based British, an excerpt from Josh Neal’s book I’m a Feminist and 10 Other Things Women Never Want to Hear that explores the complex dynamics between men and women, and a prescient short story about how even mistaken accusations of “racism” can take on a life of their own in our hyper-propagandized society by writer and author of the book The Reclamations, Paul Marlais.
The central theme of Issue No. 2, though, is poetry, which is why the subtitle is the former, commonly used term of what we today know as “poetry”: Poesy. A tremendous roster of lyricists thus take center stage, led by three pieces on a range of prominent topics by J.C. Adams, a perceptive reflection on the unfortunate reality of “honesty” in an age of deceit by Donald Kent, an Aesop-like anthropomorphized children’s tale by Luka Calgues, and a subtle and elusive short work from the extensive repertoire of Jared George. Among these first-rate works is Ashley MacAlistair’s eggnog recipe—this being the Winter 2019 issue, after all—and a descriptive and visual breakdown of cover artist Herrmann Radwulf‘s approach to his craft that allows the reader to see the different stages of the cover-creation process. The breadth of variety in Issue No. 2 of The White People’s Quarterly exemplifies the wide-ranging interests, knowledge, and skills unique to us as a people and is inoffensive to any normal person’s sensibilities, making it a good resource for those struggling to accept that it is okay for them to positively identify with who they are. Returning as well are our wonderful sponsors: the White Art Collective, KosChertified, the Mighty White Soap Co., and WhiteDate.Net.
Issue No. 1 of The White People’s Quarterly—our premiere issue—features original cover art by the gifted hand of Aileen, and visually defines in its purest form what we represent. Featured written pieces include a powerful selection from Jason Köhne’s book Born Guilty, original poetry by Jared George, a guide to becoming a community organizer by Harold L. Byron, a thrilling travel story by Jim Modoc, an exposition of art in the post-modern age by Donald Kent, and a humorous short story by Paul Marlais. However, the issue centers on the family and in particular “The Re-Feminized Woman,” so the focus-pieces are provided by Ashley MacAlistair, whose article “Reclaiming Femininity” offers tips and guidelines for young women seeking to live healthy and traditional lives, and Mina Therese, whose powerful personal journey emphasizes the trials and tribulations one goes through as they trade backward modernity for a more natural lifestyle, and how this transformation is leading to a “Renaissance of the Traditional.”
Also included in the first issue is a Q&A with the Mamas and the Pepes, photography by the Light of Decay, a review of Überfolk’s album Music for Nations by the New Paradigm Review, along with poetry, art, recipes, and a republishing of T.S. Eliot’s famous essay “Tradition and the Individual Talent,” with an introduction by the Editor. Issue No. 1 remains the most important to us, due to the uncertainties going in and the challenges we faced along the way, but with the help of Creative Director Jeff Winston of the White Art Collective we got the job done, and by some metrics it was the most successful quarterly magazine of the 2019 Summer season. Aileen’s beautiful cover conveys the essence of what we stand for as a family-friendly publisher, and we are grateful for those who took a chance and contributed to it, nearly all of whom have contributed to subsequent issues. Among them are our faithful, White-Positive sponsors, such as the White Art Collective, WhiteDate.Net, KosChertified, and the Mighty White Soap Co., whose elegant ads can as well be found among the content.
Europe & Diaspora is a magazine for peoples of European descent that includes art, essays, short stories, poetry, folk tales, recipes, and more. The creators have assembled a remarkable collection of work for their debut issue, which kicks off a unique and creative project all are certain to enjoy and find greater meaning in. The debut 2020 Yule issue explores the nature of our shared heritage, reconnects us with our roots, and reaffirms who we are as a people by highlighting the work of talented individuals who have devoted their time and energy, and in some cases their entire livelihoods, to carrying on the traditions of those who came before. With tales about the Wild Hunt, Paul Bunyan, and Snow White, showcases of leading folk artists and craftsman, and recipes from Spain to Lithuania and beyond, Editor-in Chief Ike Knosp and Artistic Director Rhiannon have put together an exceptional variety of content for the coming Yuletide and new year that will strengthen your connection to this special season, and be a lasting companion that will endure through those yet to come.
2021 Calendar: Celebrating 12 Centuries of Western Art
With a new year approaching, it’s time to toss the 2020 calendar out and tack a new one to the wall. The 2021 TWPP calendar celebrates the last 12 centuries of our art and culture, provides background information for the 12 pieces of crystal-clear and inspirational art that accompany each coming month, and hangs conveniently from the wall with the photo and dates on two different pages separated by the coil (note: images are not exact reproductions of the product). The 2021 TWPP calendar is also top-quality page-to-page and is printed on 80# premium-color gloss paper, which makes the images shine from your wall and allows for easy note-taking. At the moment only three national variations of this calendar are available, for the United States, Canada, and the United Kingdom, but we plan to release more country-specific options soon. You will be needing a new calendar no matter what, so instead of grabbing one from Wal-Mart, support us and celebrate your heritage throughout the year by always having a reminder nearby that gives you faith in your history and culture, no matter how good or bad 2021 turns out to be.
2021 Calendar: Celebrating 12 Centuries of Western Architecture
With a new year approaching, it’s time to toss the 2020 calendar out and tack a new one to the wall. The 2021 TWPP calendar celebrates the last 12 centuries of Western architecture, provides background information for the 12 pieces of crystal-clear and inspirational photographs that accompany each coming month, and hangs conveniently from the wall with the photo and dates on two different pages separated by the coil (note: images are not exact reproductions of the product). The 2021 TWPP calendar is also top-quality page-to-page and is printed on 80# premium-color gloss paper, which makes the images shine from your wall and allows for easy note-taking. At the moment only three national variations of this calendar are available, for the United States, Canada, and the United Kingdom, but we plan to release more country-specific options soon. You will be needing a new calendar regardless, so instead of grabbing one from Wal-Mart, support us and celebrate your heritage throughout the year by always having a reminder nearby that gives you faith in your history and culture and what your people have built, no matter how good or bad 2021 turns out to be.
In a future that should have never come to be, The Reclamations takes the reader from the Free Pacific State of California in a Balkanized United States to Mexico, North and South Italy to Austria, then to France, Germany, and a Blighty under the control of the English Caliphate, before wrapping up on the East Coast of the former Republic of America.
The demographic situation in the West has come to a head. Nations have fractured. Sweden has fallen. The Union has been revived but the momentum is on the side of the European Reclamation Project. The New Electric Age has arrived, time travel is now a reality — maybe . . . kind of — the Northwest Chinese Province is pushing south, and the Googlopticon still looms over the Old Continent. This is the setting of a novel that shows how the pages can be turned once there is a will among the peoples of the West to reclaim their homelands.
The Reclamations follows an eclectic cast of characters, from soldiers to spies, scientists to saboteurs, magnates to newsmen, and the journey of an amateur golfer named Edmund Loxley, with ties to a famous outlaw, who finds himself torn between Western Civilization’s failed multicultural past and its newly demulticulturalizing future as a second chance lands him a spot playing in the Diversity Open, a golf tournament being held to celebrate the natural diversity of the West, that concludes at the birthplace of the game — the Links in Scotland.
What unfolds is not merely a reclamation of soil, but a reclamation of identity, culture, and hope, as fun and wholesome as it is sure to be censored, that breathes new life into fiction, and brings one of our greatest pastimes to the page.
Issue No. 4 of The White People’s Quarterly showcases the art and artists in our sphere, beginning with the vivid cover art by the multi-talented Donald Kent. Inside, the reader will find interviews with some of the most prominent artists in our sphere, including Kent, English artist Skinless Frank, and J. LaDarc, alongside pieces by Issue No. 2 cover artist Herrmann Radwulf. The feature essay by writer John Malt is a must-read, and explores the depths of, and mechanisms behind, the ubiquitous anti-white narrative. Martin Friedrich’s two outstanding pieces, “Homeric Crossroads” and “The Great Noon,” offer sound, philosophical analyses of Homeric works and the writings of Nietzsche, superb original short stories by Jason Knight and Sean Haughton respectively bring heavy doses of mythology and dystopia to the fore, and poetry by Alastair Spate and Jared George represent the contrast and variety The WPQ continually delivers, with the former covering the recent killings of Whites like Justine Damond and Ashli Babbitt, and the latter spotlighting the aesthetic lyricism of George. Music correspondent Mama P. returns yet again for a sit-down with rising English musician Jody Kay in this issue, a chapter excerpt from veteran writer Spencer J. Quinn’s new novel Charity’s Blade gives the reader a glimpse into a future world of both mystery comedy, and appearing in new form are Lucy Brown’s terrific interviews for SCUM Media with some of the contributors to Folk—the transformative coffee table book, conceived of by Jared George and published by The White People’s Press in November 2020, on the topic of what it means to be a people. Out of the diverse lineup of leading contributors, the reader will hear from Ilenia Contessa, Jason Köhne, Laura Towler, Jared George, Lovely Porridge, and Jeff Winston what it was like to be a part of the project.
Topping off Issue No. 4 is Samuel Taylor Coleridge’s famous poem, The Rime of the Ancient Mariner, accompanied by illustrations by Gustave Doré and an introduction by the Editor that explains how this poem is directly related to the establishment of The White People’s Press. Information about several of our already-published or upcoming books can be found in the Issue, as well as ads from our usual team of friends and sponsors, such the White Art Collective, KosChertified, WhiteDate.Net, and the Mighty White Soap Co. But, as we look ahead to Volume II, we are proud to announce the addition of two new sponsors in SCUM Media and Antelope Hill Publishing. And deserving of special mention is a tribute that will appear in this issue alone, from Jason Köhne, Althaea Promethiea, and FinalBlossom. It is a list of the many “Contributors to White Wellbeing,” and a heartwarming eulogy to those who take risks and devote their time and financial resources to help strengthen our people’s collective identity, destigmatize the notion that White people are not allowed to assert their group interests, and build a foundation that will better ensure that our children and those to come are able to lead healthy lives and build immunity to the anti-white narratives currently pervasive in Western societies.
In this book Jeff Winston, writer and founder of the White Art Collective, explains how to become an Event Organizer, bring local men and women together, and host a memorable gathering that will strengthen your community and create connections that will last a lifetime. We have to start somewhere, and politics will only get us so far, so events that celebrate our traditional music and dance culture, while providing an atmosphere that will inspire courtship and romance, is a big first step.
Jeff discusses how to plan your event by acquiring a venue, choosing a dance style, selecting appropriate music, and creating a safe and fertile environment for your guests. He also goes into detail on more challenging matters like operational security, vetting attendees, and guarding against infiltration, to ensure your event goes off without a hitch.
Empire On Trial is the first installment of a two-part series documenting the spread of empire from the birth of civilization and writing in Mesopotamia to the American empire of the present day. Groundbreaking new research uncovered by authors Paul Marlais and David Byrne traces the common links and trends over 5,000 years of history by following the money, tracking the movement of merchant activities, and studying the trail of written records of these eras, using mainstream scholarship from the fields of archaeology and linguistics, among others, to chronicle and shed light on what were once mysteries of the past. Many such mysteries have been resolved in recent years due to the mass availability of information on the internet, but Empire On Trial presents novel and stunning conclusions the reader will only find in this remarkable series.
Accompanying the masterfully written text and the historical breakthroughs contained within it are close to a thousand academic references and over 200 images that include maps, architectural reconstructions, artifacts of every sort, in-depth information about written the archives uncovered in Ebla, Mari, Kanesh, and Amarna, and much more. The vast and impressive undertaking by Marlais and Byrne in Book I opens up a new world of knowledge into ancient empires that will be expanded upon in Book II, and is certain to make Empire On Trial one of the most important scholarly works of the twenty first century.
50 Classic Tales for Western Children contains all of our favorite historical folk and fairy tales, and will help immerse both children and adults in the West’s rich history of storytelling. The fifty tales included in this compilation were carefully selected from the works of Robert Louis Stevenson, Hans Christian Andersen, Aesop’s Fables, the Brothers Grimm, Peter Christen Asbjørnsen and Jørgen Moe, and others, and several stories cannot be found in other modern books due to their subject matter being deemed “politically incorrect” by publishers. Over 250 images and illustrations accompany the tales, drawing from the magical works of classic artists like Kay Nielsen, Arthur Rackham, Walter Crane, Maxfield Parrish, Edmund Dulac, Harry Clarke, Warwick Goble, Leonard Leslie Brooke, Paul Hey, Otto Kubel, Félix Lorioux, Milo Winter, Otto Speckter, Heath Robinson, and many more.
This makes 50 Classic Tales a crucial work for those who care about their heritage and wish to raise children who understand more clearly their own cultural history, by ensuring that they won’t be misled or confused by modern adaptations that portray the characters in Western folk tales as non-white or change the narrative to suit the current multicultural agenda. Parents who are mindful of these issues will not have to worry or check every detail, as 50 Classic Tales was compiled to guarantee that our children, and those to come, will be able to grow up with the wonderful stories of our collective past.
Centuries from now, Europe has been reborn. The kingdom of Regnum Europa and its magnificent capital, Ethnopolis, have been founded by Europeans united under a common purpose: to survive and forge a new civilization. Their enemy, the globalist Kadmon Alliance, seeks to organize the earth into economic Zones designed to destroy the diversity of the peoples and cultures living within them, while maintaining their supremacy. National borders have been eliminated to enable the Zones’ exploitation of resources and further the enslavement of their inhabitants through vice and propaganda, using social and economic blackmail, gender manipulation, and psycho-capitulation drugs toward this purpose, and all backed by a strong surveillance and police state. Sir Titus Mabon, a gallant young captain in the Ethnopolis Air Brigade, becomes the target of an Alliance conspiracy, as agents of a secret society known as the Hand of Hirma, who operate within the elite circles of Ethnopolis, pull him in. Will Titus and his band of renegade airmen expose the plot before it’s too late? Will Ethnopolis be subverted and weakened and opened up for external conquest? By embarking on this adventure, the reader will enter Martel’s intriguing and well-crafted future, and experience the genesis of a new European saga.
Whether you’re drinking your morning coffee, evening tea, or something in between – the official TWPP mug is for you! It’s sturdy and glossy with a vivid print that’ll withstand the microwave and dishwasher.
• Dishwasher and microwave safe
• White and glossy
Tommy wants to be friends with everyone, but he faces challenges at school since he is held personally responsible for America’s supposedly dark past. Frustrated and confused, he seeks guidance from his father about why his ancestors came to America in the first place, and in the process learns about a miraculous story that is completely different than the one he hears about in school every day. What Tommy learns is his own story, reflected through his ancestors, who built America from the ground up with other European immigrants. A People Called American is a colorfully illustrated, educational story that will help parents counter the guilt and negative history promoted to their children by the anti-white education system, by introducing them to the positive aspects of their past, and cultivating in them pride toward the nation their people created.
These official TWPP stickers are printed on durable, high opacity adhesive vinyl which makes them perfect for regular use, as well as for covering other stickers or paint. The high-quality vinyl ensures there are no bubbles when applying the stickers, and the stickers can be used both indoors and outdoors.
• High opacity film that’s impossible to see through
• Fast and easy bubble-free application
• Durable vinyl, perfect for indoor and outdoor use
• 95µ density
Don’t forget to clean the surface before applying the sticker.
Dress your baby to the nines with this 100% cotton one piece. It has three snap leg closure for easy changing, a comfortable envelope neckline, and a beautiful print that’s bound to get the baby all happy and giggling.
– 100% soft cotton*
– Comfortable envelope neckline
– Three snap leg closure
*Heather color is 52% Airlume combed and ring-spun cotton 48% poly
The Volume I Bundle of gives you all four issues of The White People’s Quarterly at a reduced rate. It comes with the original family-friendly and non-political content—including hundreds of written pieces that range from essays to short stories, poetry and literary criticism, along with art, photography, interviews, and more. Accompanied by professionally crafted layouts that have been upgraded to reflect our increased design capabilities, and standardized to fit together perfectly as a collection, the Volume I Bundle includes the following four issues:
The Volume I Bundle offers new readers savings and quality, and is loaded with content from some of the most talent individuals in our movement. A lot of work has gone into the creation of The White People’s Quarterly, and we are happy to be able to provide it at increasingly lower prices. We do our best to convey a positive and wholesome message, and will continue to do so, because that is ultimately who we are.
*Please allow up to three weeks for shipping if ordering in April
The TWPP face mask will fit you nicely thanks to its adjustable nose wire and elastic bands. Choose a design that will complement your style, as face masks are becoming the new trend.
• 100% supersoft polyester microfiber
• Fabric weight: 2.4–2.5 oz/yd² (80-85 g/m²)
• Nose wire that helps adjust the mask
• Elastic bands with PVC earloop size regulators
• Pocket for a filter or napkin
• Washable and reusable